The MA - Katy House gallery, Monfalcone FROM 27 JUNE TO 1 September 2010
Katy House Gallery CAColombo-Via, 15 - Monfalcone (GO)
www.katyhouse.it Download the press release: press release
Review OPENING: Saturday, June 26, 2010
at 20:30 with live performances Ylbert Durishti
titled "Live Inshadows 3.0"
by: ALICE GINALDI, SIVA LE DUC, ISABELLA MARA, FIORDALICE SEVEN
A single theme, a concept, an idea: the MA.
four different interpretations of something that by its very nature can not be defined in which 19 artists have given form.
books: FRANCESCA Adamini, FINASSI DIEGO, FRANCESCA MARTINELLI, Vanja Mervich, Lorenzo Zavala, MARCO ARCHITECT, ELEONORA FOSSATI, LUCA Tolu, Sanja Lasic, MARTA Fumagalli, Francesco De Molfetta, OMAR HASSAN, DARIO LAZZARETTO, ENRICA Berson, LUCA BIDOLI , MIRKO Canes, Fiorella Fontana, Kazuma Kurihara, Richard Pirovano, MASSIMILIANO Robin.
idea by RICCARDO PIROVANO
Theme taken from the thesis in sculpture entitled "IN-BETWEEN-The environmental sculpture" in MARTA FUMAGALLI, Accademia di Belle Arti di Brera, 2010.
Organization: ANNALISA BERG
Press: JOHN VELVET
under the patronage of the Province of Gorizia
Concept MA exhibition project entitled a means to be in search of the core
contemporary art. Understand deeply humbled by all means strip
prior knowledge. It means to recapture the innocence of perception through virgin eyes and without prejudice.
And coincidentally the same attitude we should have to understand what it is but this.
Heraclitus had identified the essence of being in the unity of against and lived in the belief that reality was in constant evolution. Everything is in flux (panta rei). Nothing says similarly Zen Buddhism, is stationary. The reality is that no sensitive material and a distraction from what is the essence of life, but this is the balance, the arid no man's land where the balance reaches perfection. The elusive but is thought to any definition and virtually impossible to translate from Japanese. Expresses a concept of physical space / time, a kind of fourth dimension useful to describe a cavity between two entities. Eloquent symbol of a void not covered by Western culture, can affect the perception and reality phenomenal. Used in architecture, in music, as well as in colloquial language, but the idea is refractory to be caged in precise patterns methodology. Adheres to the Zen thought that knowledge is not the path to awareness, but only an obstacle to achieving it. The banal but it is the "between", a corridor of connection between opposites that survive, despite the one with the other. As if the concept of simultaneous contrast of complementary colors could be applicable to all those opposed. The ceiling of two opposing / complementary exalts them, reward them and each of them, when alone, calls for the other attitude.
The area of \u200b\u200bthe border, but the curtain is which catalyze the energies resetting the one another.
Few Westerners have realized the importance of the void. Among these were the great masters of dialectics, which have taught us that the silences are much louder than words, to persuade the speakers. And think about it even music can be defined as such only because of well orchestrated pauses between the sounds. The empty space is the breath that allows us to enjoy the full, otherwise stuffy and resistant. It is necessary and sufficient condition to exist fully. So what do we expect this, but applying it to the world view of each of us, our perceptual immanence and especially discovering him in contemporary art. It is in the door, space, that we break the mental rest because it opens the artist's message to us as a revelation. It will be sufficient to have the desire to listen and to let, but becomes a breadcrumb trail that can lead us to the essence of communication. A very fine thread, invisible but important that we will bring no filters to what we have around.
Alice Ginaldi interpretations are Refund Poetics orchestration of the vacuum in full, but makes us aware that there is no the only possible answer, the only medium that allows us to make use of the substance. But the for me to make a vacuum.
represents the celebration of the lack of clean recycling of the useless and invisible. Rising from the ashes like a phoenix to take off and land on another fullness invading the entire universe and not noticeable. To recognize this requires strong concentration or perhaps a total abandonment of yoga is the breath, the vehicle between the inside and outside the human body, stand-alone flow entering our lungs going in our arteries, veins, capillaries, but remaining invisible. Its lightness makes it volatile and malleable, it undermines unnoticed constantly shifting attention to the full closer to him, to shake off the eyes of most. The but it is proposed with humility and modesty in those who are able to hear it, although the bearer of a subtle and inexorable force capable of subverting the order of knowledge of reality.
Alice Ginaldi Akasha Chronicles The philosophical concept of Japanese But, of empty space in which all possibilities are space-time in power, in the classical theosophy is a direct correspondence with the Sanskrit term "Akasha." In particular, the text "Akasha Chronicle" by Rudolf Steiner, Theosophy of the central figure in anthroposophy and then between 1800 and 1900, outlines the possibility that man has to expand its latent powers by contacting this ethereal essence of space-time where all past and future events are indelibly etched. In the text flow Steiner unknown millennia of history, revealed by clairvoyance. Relive the inhabitants of the submerged Atlantis, people capable of an entirely different technology that could move from our small airplanes using materials such as biological totally non-polluting fuel.
artists I have selected are the part of a new trend in contemporary art that although from a conceptual approach, he rejects the degeneration of surface and ironic in recent decades, drawing its inspiration from the handful that great reservoir of images archetypes shared by all is that the subconscious, bringing art to a value and a real depth, after speculation that brought the art to a level comparable to any luxury consumer goods.
Siva Le Duc Déjà Vu "The artists working on that thin border which separates the visible from the invisible." The
déjà vu is a phenomenon that takes place in an intermediate space where reality and dream merge, is another dimension. Time and space become relative, there is a false sense of familiarity that extends to all elements present at that moment in the perceptible, are altered so recognition of cognitive function (attention) and recovery (memory). The
déjà vu is not only linked to the eye but also to the tactile and sound, subtle brain abnormalities we move toward a "known unknown in a perpetual present." The concept of déjà vu in the back but as a place of transit, a bridge, a space, a village to cross. The deja vu is a temporary expression of a failure to adapt to reality (continued) Social. It is the lightest and genuine form of maladjustment, carelessness, a sort of "stumbling" seemingly trivial but very disturbing, gave rise to the idea that for a long time it could be hiding behind the transmigration of souls, the eternal return of the same etc..
The phenomenon of déjà vu this time aims as "sensory gap", a sort of open door on the size of non-time.
Isabella Mara (M) ambiguity "Ma" is a time to the internal conversation between two or more people. Assuming that the linguistic heritage of each individual is unique and different from that of any other man, you can easily reach the conclusion that, a priori, any text or speech is potentially polysemic. This implicache the sense of the message communicated by the sender may be misunderstood by the recipient thereof. In Japanese culture, "Ma" is a dimension, a space-time which are deposited in the abstract messages of the sender, the words that may conceal more subtle hints that they need a period of time, longer or shorter, to be implemented, including and perhaps replicated.
"Ma" is therefore, in the sphere of communication, an ethereal dimension of harmonious silence of possibilities, waiting for and against evidence. It is an ineffable and ephemeral veil between the two dialogue partners in which are condensed expectations and feelings of both, in addition to the same possibilities of understanding or misunderstanding of the message.
Fiordalice Seven
